Corel releases Service Pack 1.0.1 for AfterShot Pro



Corel has announced Service Pack 1.0.1 for AfterShot Pro, the company's photo management, editing and raw processing solution. With this update Corel has added bug fixes, support for 20 new cameras and enhancements such as improved highlight recovery processing and a couple of new plugins.

Press Statement:

Corel Aftershot Pro users can download the Service Pack from Corel's support site.

The update includes the following enhancements, bug fixes and support for new cameras:

Enhancements

Improved Highlight Recovery processing
Two new plugins: Equalizer, for added color correction, and Nostalgia, for black-and-white and color film simulation
Increased the maximum supported JPEG or TIFF image size from 30 megapixels to 40 megapixels
Improved plugin SDK to support more plugins that include features like geo-tagging
Additional Camera RAW Support for:

Canon PowerShot G1 X
Canon PowerShot S100
Canon 5D Mark III
Fuji X100
Leica V-LUX 3
Nikon D4
Nikon D800
Nikon D800e
Panasonic GX1
Panasonic FZ150
Pentax K-01
Samsung NX200
Samsung NX100
Samsung NX5
Samsung NX10
Samsung NX11
Sony NEX-C3
Sony A35
Sony A57
Olympus OM-D E-M5
Issues Addressed

A one-pixel wide or tall image artifact that appeared through the center of some images
Localization issues
Instability when removing Heal/Clone layers
Demosaicing – stability and processing time
Fedora Linux—installation and run issues
Output issue that prevented images from being converted to the correct color space
No Label – fixed menu bar issue

Blackmagic Designs announces Blackmagic Cinema Camera



NAB 2012, Las Vegas, USA - April 16, 2012 - Blackmagic Design today announced Blackmagic Cinema Camera, a revolutionary digital cinema camera design that includes powerful features such as super wide 13 stops of dynamic range, high resolution 2.5K sensor, built in high bandwidth SSD recorder, open file format support, color correction with full version of DaVinci Resolve and a built in LCD with metadata entry, all in an attractive compact design for only US$2,995.

Blackmagic Cinema Camera will be demonstrated on the Blackmagic Design NAB 2012 booth at #SL220.

Many current generation video cameras suffer from a "video look" due to a limited contrast range, a maximum HD resolution sensor, poor quality optics and lenses, the use of heavy video compression for file recording and poor integration with NLE software metadata management. With these limitations, they cannot be used for high end work or feature films.

Blackmagic Cinema Camera has been designed to eliminate these problems so customers get a true feature film look, and at an affordable cost can shoot high end television commercials, episodic television programming and feature films.

Blackmagic Cinema Camera

Blackmagic Cinema Camera includes a super wide 13 stops of dynamic range, large 2.5K sensor, a built in SSD recorder that has the bandwidth to capture open standard CinemaDNG RAW, ProRes and DNxHD files, a built in capacitive touch screen LCD for direct metadata entry, standard jack audio connections, built in high-speed Thunderbolt connection, 3 Gb/s SDI output, a refrigerated sensor for low noise, and is fully compatible with extremely high quality Canon EF and Zeiss ZF mount lenses.

Blackmagic Cinema Camera also includes a full copy of DaVinci Resolve for color correction and Blackmagic UltraScope software for waveform monitoring. UltraScope can be run on a laptop connected to the camera via a Thunderbolt connection.

One of the most important features of the camera is its super wide dynamic range of 13 stops, allowing feature film quality images. Commonly people focus on more pixels, however often this just creates a higher resolution, but still "video" looking images that suffer from highlight and black clipping that limits details. Blackmagic Cinema Camera's wide dynamic range eliminates this problem and provides film quality with dramatically more detail retained in black and whites in the image. Once the shoot is complete, the included DaVinci Resolve color correction software can be used to adjust images and take advantage of this extra range in the images. The high quality EF and ZF lens compatibility also helps create sharp and cinematic images that look incredible.

To eliminate the damage that low bit depth and high compression video storage creates, Blackmagic Cinema Camera includes a fast SSD recorder. The built in SSD recorder can record on fast solid state disks the full sensor detail in 12 bit Log RAW files in the open standard CinemaDNG format. These files can be read by all high end video software. The full 2.5K sensor data is stored in the files completely uncompressed because the SSD has the speed to store video data at the required rate. Then this high quality file can be color corrected on DaVinci Resolve for the same high quality result currently only possible on cameras costing tens of thousands of dollars.

Blackmagic Cinema Camera has been designed as the perfect companion to Final Cut Pro X and Avid Media Composer NLE software. Unlike other cameras, which require the use of custom video file formats that are not compatible with popular NLE software, often making the post production process a nightmare, the Blackmagic Cinema Camera includes absolutely no custom video file formats, and every file type included is open standard. It records into CinemaDNG format for RAW files, ProRes and DNxHD for HD resolution files compatible with Final Cut Pro X and Avid Media Composer.

The built in large LCD display makes focus easy, and allows playback of captured files. Blackmagic Cinema Camera includes a built in microphone, as well as external jack based mic/line level balanced audio connections. When playing back recorded clips, a speaker is built in, and there is an included headphone socket, as well as embedded audio on the SDI output and Thunderbolt connection. The SDI output includes all camera data such as timecode, transport control, shutter angle, color temperature setting and ASA information overlaid in attractive anti aliased fonts.

For easy metadata entry, the built in LCD features fast and responsive capacitive touch screen technology. When the user taps the display with a finger, a data entry window called the "slate" appears. This lets the user enter shot information just like typing on a smart phone. This data is then stored in the files so can be accessed by NLE software when editing content later. Metadata is compatible with popular software such as Final Cut Pro X and DaVinci Resolve. All camera settings can be changed on this touch LCD, such as frame rate, shutter angle, color temperature, dynamic range, focus assist settings and more.

Blackmagic Cinema Camera includes an innovative industrial design built from solid machined aluminum metal which results in an attractive but rugged design. All of the camera, recorder and display have been shrunk down into a lightweight design thats very portable.

"This is one of the most exciting products we have ever created and its been a work in progress for a very long time," said Grant Petty, CEO, Blackmagic Design. "Ever since I was a telecine engineer back in the 1990's I have wished that video cameras would include features that allowed them to perform creatively similar to film. However current digital cameras are too heavy, way too expensive and need costly accessories to work. We felt there was a need for a camera that delivered these features in a design that's optimized for professional video shoots, as well as being a compact, elegant design that's easily affordable. We think we have achieved that!"

Blackmagic Cinema Camera Key Features

High resolution 2.5K sensor allows improved anti aliasing and reframing shots.
Super wide 13 stops of dynamic range allows capture of increased details for feature film look.
Built in SSD allows high bandwidth recording of RAW video and long duration compressed video.
Open file formats compatible with popular NLE software such as CinemaDNG 12 bit RAW, Apple ProRes and Avid DNxHD. No custom file formats.
Includes no custom connections. Standard jack mic/line audio in, BNC 3 Gb/s SDI out, headphone, high-speed Thunderbolt I/O technology, LANC remote control and standard DC 12-30V power connection.
Capacitive touch screen LCD for camera settings and slate metadata entry.
Compatible with extremely high quality Canon EF and Zeiss ZF lenses.
Supports 2.5K and 1080HD resolution capture in 24, 25, 29.97 and 30 fps.
Thunderbolt connection allows direct camera capture via included Media Express software and supports live waveform monitoring via the included Blackmagic UltraScope software.
Includes a full copy of DaVinci Resolve 9.0 color grading software.
Availability and Price

Blackmagic Cinema Camera will be available July 2012 for US$2,995 from Blackmagic Design resellers worldwide.

Carl Zeiss launches CZ.2 70-200/T2.9 Compact Tele Zoom cine lens


First full-frame cine zoom lens fitting all major camera types

OBERKOCHEN/Germany, 16.04.2012.
During the NAB Trade Show in Las Vegas from April 16-19, 2012, Carl Zeiss will show its first Compact Zoom CZ.2 lens to complement the Compact Prime CP.2 line of lenses. According to customer requests it is the first compact zoom lens of its kind with interchangeable mount and full frame capturing capability. The Compact Zoom CZ.2 70-200/T2.9 gives the filmmaker the choice of a single lens in the short-long telephoto range, perfect for separating the fore- and background areas or for situations when the subject is a distance from the camera.

“The Compact Zoom CZ.2 70-200/T2.9 is first in a line of zoom lenses designed for the owner- operator from Carl Zeiss that allows them to be used with a wide variety of current and future cameras, because of their compact design, full- frame coverage and interchangeable mounts”, notes Christian Bannert, Senior Director R&D, Carl Zeiss Camera Lens Division. “There has never been a zoom lens on the market with similar features."

The Compact Zoom CZ.2 lens is a perfect complement to the smaller, lighter HD video and cine cameras introduced in the last year. Especially when used with Steadicam systems, the weight of the lens and camera becomes a critical factor. Weighing only 2.8kg (6.2lbs), it opens up new creative opportunities for action sequences by allowing the camera to be used hand-held for a greater range of motion.

The Compact Zoom CZ.2 lenses feature an 18-blade aperture, which creates a round iris opening and a natural, out of focus rendition. As with the rest of the Compact Prime CP.2 family, the cine-style housing with gearing allows the attachment of any standard follow-focus system. By using the interchangeable mounts for PL, EF, F, MFT and E, the Compact Zoom CZ.2 lens can be easily adapted to numerous camera systems and ensures compatibility with future cameras as technology changes. The Carl Zeiss T* anti- reflection coating ensures the maximum contrast and color rendition by minimizing stray light and ghosting within the lens. The Compact Zoom CZ.2 delivers flare-free results and it has no focus shift over the whole zoom range.

More compact zoom lenses also made in Germany with additional focal lengths will be announced during the course of this year.

The Compact Zoom CZ.2 70-200/T2.9 will start shipping in the fourth quarter of 2012 at a recommended retail price of €14,900 or US$19,900 (excluding VAT)*.

* Status: 16 April, 2012

 
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